The earlier, the better. Technical delivery can sometimes be possible in as little as 24 hours, but pitching, promotion and release planning benefit from proper lead time.

Yes. You do not need a finished package. We can help identify the next useful step before the release is complete.

Finished audio, cover artwork, credits and release metadata, plus lyrics when relevant. We help check the materials before delivery.

No. We can provide ISRCs for tracks and a barcode for the release when needed. If you already have your own identifiers, we use them.

No. You can work with us as a private individual, including when releasing under your own label name.

With one active agreement you can release a practically unlimited number of singles, EPs and albums. You do not need a new distribution agreement for every release.

Tell us what you are building. We will shape the right setup for your needs and agree the services, contract term and distribution fee with you. You can start with one artist and later grow into a label or a multi-artist setup.

Yes. We can help plan, source and order vinyl, CDs, cassettes and other products. We work with manufacturers in Finland and abroad, including Helsinki-based Levypuristamo. We can help plan quantities, production cost, retail pricing, pre-orders, sales and distribution — whether the product is a record, shirt, sticker, tote bag or something else.

Yes. We handle catalogue migrations and help protect metadata and release history so the move is as controlled as possible.

You decide where your music is available. You do not have to deliver to every service. We respect artists with a point of view and understand choices based on values or activism.

Yes. We can request a takedown from one or more services and deliver the release again later if needed. Changes are always handled within the terms of your current agreement, and we help manage the process.

Your existing releases stay live and continue earning royalties even if you do not release new music for a while.

You keep the rights to your music and your catalogue remains transferable. On supported services, Content ID and UGC rights tools can also help identify and manage uses of the music. If you ever want to change distributor, we can help migrate the catalogue in a controlled way.

No. Editorial choices are always made by the music services. Our job is to put the release in front of the right editorial teams, at the right time and with the strongest possible presentation. We are in direct contact with Spotify editors and have relationships with other key music-service teams. Our releases are regularly selected for Spotify and Apple Music editorial playlists, but we never promise a placement.

At any stage. A first single, an established artist, a new project, your own label or a catalogue built over years — we start from where you are now.

We work across a genuinely wide range of genres and music cultures — from metal to folk traditions, Finnish rock to folk, rap to punk, radio pop to electronic music, techno to post-punk, hardcore to emo, indie to mainstream, Christmas music to ambient, and jazz to a cappella. We have long experience with both subcultures and hit music, and treat every kind of music with the same curiosity and respect.

Promo is built around the artist and the release. We first work out what is genuinely interesting in the music and story, and who should hear about it. Then we approach relevant media, radio and other contacts rather than sending the same mass message to everyone.

No. You get a clear online tool where you can upload the music, artwork and other release materials directly in your browser. We help with metadata, identifiers and the other details. Distribution does not need to become a spreadsheet project.